Ty Schwamberger’s The Fields starts out with an introduction by Jonathan Mayberry, laying out the ground rules for zombie stories, those rules being that … there are no rules. Save maybe one, that zombie stories tell us more about ourselves than about the shambling undead on our heels. This was a wise choice, as, from the beginning, it’s clear that this isn’t the zombie story we’re expecting. It’s hard to say what exactly we’re expecting, but Schwamberger knows, and he exploits this knowledge, teasing the reader with one zombie cliché after another: the strange light from the sky, the backyard full of bodies, the zombie bite that may or may not have been a dream. The Fields makes explicit the subtext in any good zombie story: that the beasts reflect our own deepest fears of our time.
Billy, the protagonist, fears losing the family farm. He fears not living up to his father’s expectations, at the same time fearing filling the old man’s shoes too well. Abraham, a mysterious visitor, shows up at just the right time to capitalize on Billy’s failing crops … for a price, of course. Abraham is easily the creepiest part of this book. His uncanny sneakiness, his sinister laugh, and a hint of mind-reading put me at unease from his first appearance. Abraham insists he is there to help – Schwamberger has expertly crafted a character just creepy enough to set your teeth on edge, but not creepy enough for the main character to be justified in turning down his promises of assistance.
The setting is inherently spooky, too. Maybe it’s just me. I’m a sucker for rural settings. Add in a creaky old barn, some primitive farm implements, and a protagonist in worn overalls, and you’ve got my attention. Schwamberger sets the scene for us well.
Unfortunately, while the story and the characters in The Fields were fine, the prose itself was a major distraction. A worse offense is that every few pages, Schwamberger seems to hit on a turn of phrase he likes, and repeats it to the extent that I wondered if I’d forgotten to turn the page. Sometimes repetition can form a pattern to drill in the importance of a scene. Here, it just gets boring. Couple this with the repetitive descriptions of Abraham and Billy’s father, add in a dash of over-long and unrealistic dialogue, and I think this promising concept would have been better suited to a short story. Overall I found this to be a great idea, with dynamic characters, that fails in the execution.
Posted by HorrorFix contributor Sugar Shock.
"Oh Kirsty, what have you done?" Thats a very good question as you start to read this issue. To be honest I hadn't read any of this book yet and because of this issue I got the back issues and caught up in a matter of hours. These comics are actually a very compelling read.
I admit it. I scoffed at the iPad when it was first introduced. I thought it was nothing more than an oversized iPod touch and I was going to be damned if I was going to lay out that kind a money for an oversized iPod. Let's fast forward to me putting my foot right into my mouth so far that my big toe just gave a thumb's up to my proctologist. I love my iPad and over the course of the year it has all but practically replaced my laptop. Among the actual "productive" apps I have, I have a slew of horror themed apps and games to satiate my thirst for macabre. Add in a full library of books and even a horror trivia app and the iPad becomes a "love horror, will travel" device for me. The Uninvited is the first horror anthology magazine for the iPad and when the office here at HorrorFix heard about we couldn't wait to get our little bloodstained hands on it.
Gore #2 by GG Studios. Written by Alex Crippa. Drawn by Emilio Laiso. $2.99.
American Vampire: Survival of the Fittest by Vertigo/DC Comics. Written by Scott Snyder. Drawn by Sean Murphy. $2.99. Five Issue Limited Series.
30 Days of Night Night, by IDW. Written by Joe R Lansdale. Drawn by Sam Keith. $3.99.
Hellblazer #280 by Vertigo/DC comics. Written by Peter Miligan, Drawn by Gael Bertrand. $2.99.
Hack/Slash #4 by Image Comics. Written by Tim Seeley. Drawn by Daniel Leister. $3.50.
American Vampire by Vertigo/DC Comics. Written by Scott Snyder. Drawn by Rafael Albuquerque. $2.99.
Crossed: Psychopath By Avatar. Written by David Lapham, Drawn by Raulo Caceres. $3.99. Issues 1, 2, 3.
Hack/Slash Issues 1, 2, 3 by Image Comics. Written by Tim Seeley, Drawn by Daniel Leister. $3.50
American Vampire by Vertigo/DC Comics. Written by Scott Snyder. Drawn by Rafael Albuquerque. $2.99
American Vampire By Vertigo/DC Comics. Written by Scott Snyder. Drawn by Rafael Albuquerque. $2.99.
American Vampire By Vertigo/DC Comics. Written by Scott Snyder. Drawn by Danijel Zezelj. $2.99
Hellblazer by Vertigo/DC comics. Written by Peter Milliagn, Drawn by Giuseppe Camuncoli. $2.99
American Vampire By Vertigo Comics. Written by Scott Snyder. Drawn by Rafael Albuquerque and Mateus Santolouco. Single Issues $2.99, HC $24.99.
First let me say, it's about damn time! I am so sick of the glowy, crying pussy vampires that have been the staple in current movies and media. I don't know when everybody decided that a race of humans that suck blood to survive should be teen models and be so indecisive on how much their soul will suffer by taking the blood of some whiny-assed woman. Now that I have dug my hole to all the fans of those bloody pussies, we can get on with a real set of vampires.
The Walking Dead by Image Comics. Written by Robert Kirkman, Drawn by Charlie Adlard. $2.99
Witch Doctor By Image Comics. Written by Brandon Seifert and Drawn by Lukas Ketner.
